Almu\u00f1\u00e9car a c\u00e9l\u00e9br\u00e9 la Journ\u00e9e Internationale de la Danse avec l’Orchestre de l’Universit\u00e9 de Grenade, sous la direction de Gabriel Delgado et les danseurs de la Compagnie Nationale de Danse, Irene Ure\u00f1a et \u00c1lvaro Madrigal, avec une chor\u00e9graphie d’Aleix Ma\u00f1\u00e9, organis\u00e9e par JUVENTUDES MUSICALES DE ALMU\u00d1\u00c9CAR ET LA CONCEJAL\u00cdA DE CULTURA.<\/p>\n
GABRIEL DELGADO MOR\u00c1N www.gabrieldelgado.es<\/p>\n
Dipl\u00f4m\u00e9 des Conservatoires de Cordoue et de Grenade, il a fait des \u00e9tudes sup\u00e9rieures \u00e0 la Louisiana State University (USA) avec Dennis Parker (violoncelle) et Michael Butterman (direction d’orchestre), o\u00f9 il a obtenu le Master of Music (1996) et le Doctorat en Arts Musicaux (2002), tous deux valid\u00e9s par l’Universit\u00e9 de Grenade.<\/p>\n
En tant que violoncelliste, il a d\u00e9velopp\u00e9 une intense activit\u00e9 de musique de chambre en donnant des r\u00e9citals aux \u00c9tats-Unis, en Espagne et en Finlande. Il a \u00e9t\u00e9 membre du Baton Rouge Symphony Orchestra (USA, 1994-1999) et a collabor\u00e9 avec l’Orquesta Ciudad de Granada, Orquesta Filarm\u00f3nica de M\u00e1laga et Orquesta de C\u00f3rdoba.<\/p>\n
En 1999, il a obtenu un poste de fonctionnaire de carri\u00e8re dans le Cuerpo de Profesores de M\u00fasica y AAEE et en 2017 celui de Catedr\u00e1tico de M\u00fasica y AAEE au Real Conservatorio Superior de M\u00fasica “Victoria Eugenia” de Grenade.<\/p>\n
En tant que chef d’orchestre, il s’est perfectionn\u00e9 aupr\u00e8s des maestros James Paul, Arturo Tamayo, Jes\u00fas L\u00f3pez Cobos, Manuel Hern\u00e1ndez Silva et Colin Metters, et a \u00e9t\u00e9 finaliste des concours du Joven Orquesta Nacional de Espa\u00f1a (2000) et de l’Orquesta Ciudad de Granada (2005).<\/p>\n
En tant que chef d’orchestre invit\u00e9, il a dirig\u00e9 entre autres l’ : Orquesta Filarm\u00f3nica de M\u00e1laga, Mad4strings Orchestra, Orquesta de Extremadura, Orquesta Ciudad de Granada, Orquesta Sinf\u00f3nica de la Regi\u00f3n de Murcia, Cottbus State Theatre Orchestra (Allemagne) et le Louisiana State University Symphony Orchestra (\u00c9tats-Unis).<\/p>\n
Pendant treize saisons (2005-2018), il a \u00e9t\u00e9 chef d’orchestre de l’Orchestre symphonique des jeunes de Grenade (JOSG) et, depuis sa fondation en 2007 jusqu’\u00e0 aujourd’hui, de l’Orchestre de l’Universit\u00e9 de Grenade (OUGR) avec lequel il a r\u00e9alis\u00e9 un important travail p\u00e9dagogique et informatif, ainsi qu’une tourn\u00e9e en Chine (2013\/2014), en France (2007 et 2010), en Italie (2012) et au Maroc (2010).
\nLes enregistrements “Jos\u00e9 Nieto : 75 aniversario” (2017) et “Escenas contempor\u00e1neas” (2015) sont consacr\u00e9s aux compositeurs contemporains. Il a dirig\u00e9 des concerts symphoniques-choraux de grande envergure, comme la monographie W.A. Mozart \u00e0 l’Auditorio Nacional de Madrid (2015), ou le Carmina Burana de C. Orff avec La Fura dels Baus au FIMD d’\u00dabeda (2016).
\nNous pourrions \u00e9galement souligner les productions d’op\u00e9ra de L’Elisir d’amore de G. Donizetti (2019) et Retablo de Maese Pedro (2017) de M. de Falla, la production de El Amor Brujo (2015) de M. de Falla avec le Granada Tanz Teatro et la base du documentaire “Regreso a casa” de Canal Sur, ainsi que celles de Pedro y el lobo de S. Prokofiev ou El sastrecillo valiente de T. Harsanyi avec la compagnie de marionnettes prim\u00e9e Etc\u00e9tera.<\/p>\n
Irene Ure\u00f1a<\/p>\n
Elle est n\u00e9e \u00e0 Almu\u00f1\u00e9car (Grenade), o\u00f9 son int\u00e9r\u00eat pour la danse a d\u00e9but\u00e9. \u00c0 l’\u00e2ge de huit ans, elle est entr\u00e9e au Conservatorio Profesional de Danza Reina Sof\u00eda de Grenade, avec Alejandro Donaire comme professeur.
\nEn 2010, elle d\u00e9m\u00e9nage \u00e0 Madrid pour poursuivre ses \u00e9tudes au Real Conservatorio Profesional de Danza Mariemma, o\u00f9 elle obtient son dipl\u00f4me en 2013, avec une sp\u00e9cialisation en danse classique. En 2012, il prend des cours \u00e0 la Boston Ballet School avec diff\u00e9rents professeurs, notamment Lia Cirio et Tai Jim\u00e9nez. Pendant sa formation, elle remporte le premier prix du concours de chor\u00e9graphie andalouse, avec une chor\u00e9graphie de groupe.<\/p>\n
Apr\u00e8s avoir obtenu son dipl\u00f4me, elle int\u00e8gre le programme de danse professionnelle du Madrid Dance Center dirig\u00e9 par Iv\u00e1n Barreto, o\u00f9 elle approfondit sa formation en danse classique et contemporaine, et commence \u00e0 travailler sur la production d’El Principito de Jos\u00e9 Tirado Danza, en interpr\u00e9tant de nombreux r\u00f4les.<\/p>\n
En 2015, elle rejoint la Compa\u00f1\u00eda Nacional de Danza, sous la direction artistique de Jos\u00e9 Carlos Mart\u00ednez. Depuis qu’elle a rejoint la compagnie, elle a interpr\u00e9t\u00e9 des r\u00f4les solos dans des \u0153uvres telles que Gods and Dogs de Jir\u00ed Kyli\u00e1n, Por vos muero de Nacho Duato, Enemy in the Figure de William Forsythe et Carmen de Johan Inger. Il a \u00e9galement particip\u00e9 en tant que corps de ballet \u00e0 Artifact Suite de William Forsythe, Don Quichotte, Casse-Noisette et Raymonda divertimento de Jos\u00e9 Carlos Mart\u00ednez, entre autres. Il a \u00e9galement interpr\u00e9t\u00e9 le r\u00f4le principal dans White Darkness, chor\u00e9graphi\u00e9 par Nacho Duato pour la Compa\u00f1\u00eda Nacional de Danza.<\/p>\n
Actuellement, sous la direction artistique de Joaqu\u00edn de Luz \u00e0 la CND et apr\u00e8s les ann\u00e9es de pand\u00e9mie, elle a repris les tourn\u00e9es internationales, se produisant r\u00e9cemment \u00e0 New York, avec l’\u0153uvre Carmen de Johan Inger.<\/p>\n
.<\/p>\n
\u00c1lvaro Madrigal<\/p>\n
N\u00e9 \u00e0 S\u00e9ville, o\u00f9 il est dipl\u00f4m\u00e9 du Conservatoire professionnel de danse. Il a poursuivi ses \u00e9tudes \u00e0 Londres o\u00f9 il a obtenu une bourse pour suivre sa derni\u00e8re ann\u00e9e au London Studio Centre, sous la direction de Margaret Barbieri.<\/p>\n
Il commence \u00e0 danser professionnellement dans le Joven Ballet de M\u00e1laga et peu apr\u00e8s dans le Corella Ballet sous la direction d’\u00c1ngel Corella. En 2011, elle rejoint le Sarasota Ballet, sous la direction d’Iain Webb, et danse des chor\u00e9graphies de George Balanchine, Frederick Ashton, Agnes de Mille et Twyla Tharp, entre autres.
\nEn septembre 2012, elle a rejoint la Compa\u00f1\u00eda Nacional de Danza sous la direction artistique de Jos\u00e9 Carlos Mart\u00ednez.<\/p>\n
Il a dans\u00e9 des r\u00f4les principaux et solos pour des chor\u00e9graphes prestigieux tels que George Balanchine, William Forsythe, Ohad Naharin, Itzik Galili, Jos\u00e9 Carlos Mart\u00ednez, Johan Inger, Nacho Duato et Jiri Kylian, entre autres. Il a \u00e9t\u00e9 invit\u00e9 \u00e0 plusieurs galas internationaux tels que “The Miami International Dance Gala”, entre autres.<\/p>\n
PROGRAMME<\/p>\n
Activit\u00e9 conjointe de l’Aula de Artes Esc\u00e9nicas et de l’Orchestre
\nVice-rectorat de l’extension universitaire UNIVERSIT\u00c9 DE GRANADA
\nA. Dvorak : Danses slaves op. 46, (s\u00e9lection) :
\nN\u00ba 1 en do majeur (4′)
\nN\u00ba 2 en mi mineur (5′)
\nN\u00ba 4 en fa majeur (7′)
\nNo 6 en r\u00e9 majeur (5’30”)
\nN\u00ba 7 en do majeur (4′)
\nTIMOR MORTIS (spectacle de danse)
\nJ. Brahms : Symphonie no 3 op. 90 en fa majeur : III. Poco allegretto (6′)
\nP.I. Tchaikovsky : Danse arabe de la suite du ballet Casse-Noisette Op.71st (3’30”)
\nC. Saint Saens : Danse macabre Op. 40 (8′)
\nVioloniste soliste : Mercedes Barn\u00e9
\nIrene Ure\u00f1a Delgado et \u00c1lvaro Madrigal Arenilla, danseurs
\nAleix Ma\u00f1\u00e9, chor\u00e9graphe
\nOrchestre de l’Universit\u00e9 de Grenade. Chef d’orchestre : Gabriel Delgado<\/p>\n<\/div><\/div>[\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"
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