{"id":8729,"date":"2022-06-14T14:53:38","date_gmt":"2022-06-14T14:53:38","guid":{"rendered":"https:\/\/discoveralmunecar.com\/?p=8729"},"modified":"2022-06-14T14:53:39","modified_gmt":"2022-06-14T14:53:39","slug":"timor-mortis","status":"publish","type":"post","link":"https:\/\/discoveralmunecar.com\/pl\/timor-mortis\/","title":{"rendered":"Timor Mortis – Spektakl muzyczno-taneczny w Almu\u00f1\u00e9car"},"content":{"rendered":"

[vc_row][vc_column][vc_video link=”https:\/\/youtu.be\/nIisn38jorY”][vc_empty_space]

W Almu\u00f1\u00e9car obchodzono Mi\u0119dzynarodowy Dzie\u0144 Ta\u0144ca z udzia\u0142em Orkiestry Uniwersytetu w Granadzie, pod dyrekcj\u0105 Gabriela Delgado, oraz tancerzy Narodowego Zespo\u0142u Ta\u0144ca, Irene Ure\u00f1a i \u00c1lvaro Madrigal, z choreografi\u0105 Aleixa Ma\u00f1\u00e9, zorganizowany przez JUVENTUDES MUSICALES DE ALMU\u00d1\u00c9CAR i CONCEJAL\u00cdA DE CULTURA.<\/p>\n

GABRIEL DELGADO MOR\u00c1N www.gabrieldelgado.es<\/p>\n

Absolwent Konserwatori\u00f3w w Kordobie i Granadzie. Odby\u0142 studia podyplomowe na Uniwersytecie Stanowym Luizjany (USA) u Dennisa Parkera (wiolonczela) i Michaela Buttermana (dyrygentura orkiestry), gdzie uzyska\u0142 tytu\u0142 magistra muzyki (1996) i doktora sztuk muzycznych (2002), oba potwierdzone przez Uniwersytet w Granadzie.<\/p>\n

Jako wiolonczelista rozwija intensywn\u0105 dzia\u0142alno\u015b\u0107 kameraln\u0105, wyst\u0119puj\u0105c z recitalami w USA, Hiszpanii i Finlandii. By\u0142 cz\u0142onkiem Baton Rouge Symphony Orchestra (USA, 1994-1999) i wsp\u00f3\u0142pracowa\u0142 z hiszpa\u0144skimi Orquesta Ciudad de Granada, Orquesta Filarm\u00f3nica de M\u00e1laga i Orquesta de C\u00f3rdoba.<\/p>\n

W 1999 r. otrzyma\u0142 stanowisko urz\u0119dnika pa\u0144stwowego w Cuerpo de Profesores de M\u00fasica y AAEE, a w 2017 r. stanowisko Catedr\u00e1tico de M\u00fasica y AAEE w Real Conservatorio Superior de M\u00fasica “Victoria Eugenia” w Granadzie.<\/p>\n

Jako dyrygent doskonali\u0142 swoje umiej\u0119tno\u015bci dyrygenckie u maestro Jamesa Paula, Arturo Tamayo, Jesusa L\u00f3peza Cobosa, Manuela Hern\u00e1ndeza Silvy i Colina Mettersa, a tak\u017ce by\u0142 finalist\u0105 konkurs\u00f3w Joven Orquesta Nacional de Espa\u00f1a (2000) i Orquesta Ciudad de Granada (2005).<\/p>\n

Jako dyrygent go\u015bcinny prowadzi\u0142 m.in: Orquesta Filarm\u00f3nica de M\u00e1laga, Mad4strings Orchestra, Orquesta de Extremadura, Orquesta Ciudad de Granada, Orquesta Sinf\u00f3nica de la Regi\u00f3n de Murcia, Orkiestr\u0105 Teatru Pa\u0144stwowego w Cottbus (Niemcy) oraz Orkiestr\u0105 Symfoniczn\u0105 Uniwersytetu Stanowego Luizjany (USA).<\/p>\n

Przez trzyna\u015bcie sezon\u00f3w (2005-2018) by\u0142 g\u0142\u00f3wnym dyrygentem M\u0142odzie\u017cowej Orkiestry Symfonicznej w Granadzie (JOSG), a od jej za\u0142o\u017cenia w 2007 r. do chwili obecnej – Orkiestry Uniwersytetu w Granadzie (OUGR), z kt\u00f3r\u0105 prowadzi\u0142 intensywn\u0105 dzia\u0142alno\u015b\u0107 pedagogiczn\u0105 i informacyjn\u0105, a tak\u017ce odby\u0142 tourn\u00e9e po Chinach (2013\/2014), Francji (2007 i 2010), W\u0142oszech (2012) i Maroku (2010).
\nWsp\u00f3\u0142czesnym kompozytorom po\u015bwi\u0119cone s\u0105 nagrania “Jos\u00e9 Nieto: 75 aniversario” (2017) i “Escenas contempor\u00e1neas” (2015). Dyrygowa\u0142 wielkoskalowymi koncertami symfoniczno-ch\u00f3ralnymi, takimi jak monograficzny koncert W.A. Mozarta w Auditorio Nacional de Madrid (2015) czy Carmina Burana C. Orffa z La Fura dels Baus w FIMD w \u00dabedzie (2016).
\nMo\u017cna by te\u017c wspomnie\u0107 o produkcjach operowych L’Elisir d’amore G. Donizettiego (2019) i Retablo de Maese Pedro (2017) M. de Falli, produkcji El Amor Brujo (2015) M. de Falla wraz z Granada Tanz Teatro, na podstawie kt\u00f3rego powsta\u0142 film dokumentalny “Regreso a casa” na Canal Sur, a tak\u017ce Pedro y el lobo S. Prokofiewa czy El sastrecillo valiente T. Harsanyi z wielokrotnie nagradzanym zespo\u0142em lalek Etc\u00e9tera.<\/p>\n

Irene Ure\u00f1a<\/p>\n

Urodzi\u0142a si\u0119 w Almu\u00f1\u00e9car (Granada), gdzie rozpocz\u0119\u0142a si\u0119 jej fascynacja ta\u0144cem. W wieku o\u015bmiu lat wst\u0105pi\u0142a do Conservatorio Profesional de Danza Reina Sof\u00eda w Granadzie, gdzie jej nauczycielem by\u0142 Alejandro Donaire.
\nW 2010 roku przenios\u0142a si\u0119 do Madrytu, aby kontynuowa\u0107 nauk\u0119 w Real Conservatorio Profesional de Danza Mariemma, gdzie w 2013 roku uko\u0144czy\u0142a studia, specjalizuj\u0105c si\u0119 w ta\u0144cu klasycznym. W 2012 roku bra\u0142a udzia\u0142 w zaj\u0119ciach w Boston Ballet School u r\u00f3\u017cnych nauczycieli, mi\u0119dzy innymi u Lii Cirio i Tai Jim\u00e9nez. Podczas szkolenia zdoby\u0142a pierwsz\u0105 nagrod\u0119 w Andalusian Choreography Competition, z choreografi\u0105 grupow\u0105.<\/p>\n

Po uko\u0144czeniu szko\u0142y rozpocz\u0119\u0142a profesjonalny program taneczny w Madryckim Centrum Ta\u0144ca pod kierunkiem Iv\u00e1na Barreto, gdzie kontynuowa\u0142a nauk\u0119 w zakresie ta\u0144ca klasycznego i wsp\u00f3\u0142czesnego oraz rozpocz\u0119\u0142a prac\u0119 przy produkcji El Principito Jos\u00e9 Tirado Danza, wyst\u0119puj\u0105c w wielu rolach.<\/p>\n

W 2015 roku do\u0142\u0105czy\u0142a do Compa\u00f1\u00eda Nacional de Danza, pod kierownictwem artystycznym Jos\u00e9 Carlosa Mart\u00edneza. Od czasu do\u0142\u0105czenia do zespo\u0142u wykonywa\u0142a role solowe w takich utworach jak Gods and Dogs Jir\u00ed Kyli\u00e1na, Por vos muero Nacho Duato, Enemy in the Figure Williama Forsythe’a i Carmen Johana Ingera. Uczestniczy\u0142a tak\u017ce jako corps de ballet m.in. w Artifact Suite Williama Forsythe’a, Don Kichocie, Dziadku do orzech\u00f3w i Raymonda divertimento Jos\u00e9 Carlosa Mart\u00edneza. Wyst\u0105pi\u0142 r\u00f3wnie\u017c w g\u0142\u00f3wnej roli w spektaklu White Darkness w choreografii Nacho Duato dla Compa\u00f1\u00eda Nacional de Danza.<\/p>\n

Obecnie, pod kierownictwem artystycznym Joaqu\u00edna de Luza w CND i po latach pandemii, wznowi\u0142a mi\u0119dzynarodowe tourn\u00e9e, ostatnio wyst\u0119puj\u0105c w Nowym Jorku z dzie\u0142em Carmen Johana Ingera.<\/p>\n

\u00c1lvaro Madrigal<\/p>\n

Urodzi\u0142 si\u0119 w Sewilli, gdzie uko\u0144czy\u0142 Profesjonalne Konserwatorium Ta\u0144ca. Nauk\u0119 kontynuowa\u0142 w Londynie, gdzie otrzyma\u0142 stypendium na ostatni rok studi\u00f3w w London Studio Centre pod kierunkiem Margaret Barbieri.<\/p>\n

Zacz\u0105\u0142 ta\u0144czy\u0107 zawodowo w Joven Ballet de M\u00e1laga, a wkr\u00f3tce potem w Corella Ballet pod kierunkiem \u00c1ngela Corelli. W 2011 roku do\u0142\u0105czy\u0142a do Sarasota Ballet, pod kierunkiem Iaina Webba, ta\u0144cz\u0105c choreografie m.in. George’a Balanchine’a, Fredericka Ashtona, Agnes de Mille i Twyli Tharp.
\nWe wrze\u015bniu 2012 roku do\u0142\u0105czy\u0142a do Compa\u00f1\u00eda Nacional de Danza pod kierownictwem artystycznym Jos\u00e9 Carlosa Mart\u00edneza.<\/p>\n

Ta\u0144czy\u0142 g\u0142\u00f3wne i solowe role dla presti\u017cowych choreograf\u00f3w, takich jak George Balanchine, William Forsythe, Ohad Naharin, Itzik Galili, Jos\u00e9 Carlos Mart\u00ednez, Johan Inger, Nacho Duato i Jiri Kylian. By\u0142 zapraszany na wiele mi\u0119dzynarodowych gal, m.in. na “The Miami International Dance Gala”.<\/p>\n

PROGRAM<\/p>\n

Wsp\u00f3lne dzia\u0142anie Aula de Artes Esc\u00e9nicas i Orkiestry
\nProrektorat Rozszerzenia Uniwersytetu UNIWERSYTET GRANADY
\nA. Dvorak: Ta\u0144ce s\u0142owia\u0144skie op. 46, (wyb\u00f3r):
\nNr 1 C-dur (4′)
\nNr 2 e-moll (5′)
\nNr 4 F-dur (7′)
\nNr 6 D-dur (5’30”)
\nNr 7 C-dur (4′)
\nTIMOR MORTIS (spektakl taneczny)
\nJ. Brahms: III Symfonia F-dur op. 90: III. Poco allegretto (6′)
\nP.I. Czajkowski: Taniec arabski z suity do baletu Dziadek do orzech\u00f3w op.71 (3’30”)
\nC. Saint Saens: Danse macabre op. 40 (8′)
\nSolistka na skrzypcach: Mercedes Barn\u00e9
\nIrene Ure\u00f1a Delgado i \u00c1lvaro Madrigal Arenilla, tancerze
\nAleix Ma\u00f1\u00e9, choreograf
\nOrkiestra Uniwersytetu w Granadzie. Dyrygent: Gabriel Delgado<\/p>\n<\/div><\/div>[\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

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